Sculpture "Dignity"

320.00

Chamotte, wood, glass

1 in stock

  • Each handmade piece has its own character
  • Therefore, no two pieces from the same collection are identical
  • May differ slightly from those shown in the photos
  • Natural and durable materials are used in production
  • Works are not reproduced.
  • Packed in gift-worthy packaging

Sculpture allows us to visualize what is invisible to the eye

About the work

The sculpture "Dignity" is based on the recognizability of the human body, but the motif of the animal's head moves the figure into a symbolic field. The broad horns here become not a decoration, but a sign of an inner posture.

History

„"Dignity" is created as an anthropomorphic figure — an intermediate form between a recognizable body and a symbolic state. The figure's posture is directed towards the viewer. The arms are lowered and clasped, the legs are crossed. This pose creates a closed, focused composition.

The main focus of the work is the broad horns. They extend the figure's silhouette horizontally and give the sculpture a clear visual axis. The horns here act not only as a decorative element, but also as a symbol of inner power.

The title of the work names a state that does not need proof. It is not a pose of solemnity, but the ability to concentrate within oneself. The hero of the sculpture is not heroic in the usual sense. He simply is: dignified, concentrated, sometimes vulnerable, but unmoved.

Combination ideas

Sculpture is close to a restrained, uncluttered environment, a clear surface, and sufficient distance for viewing.

Occasion

Original gift for an anniversary | Gift for Boss's Day | Gift for someone who appreciates symbolic meaning

Dimensions26 cm
Ceramic material:

Plastic chamotte mass (0.2 mm): firing temperature 1000-1240°C, Glass granules | Transparent, Gilding wax | Patina

Meters pcs.:

unit

Additional materials:

Tree | Spruce

CARE OF CHAMOMILE SCULPTURES AND INTERIOR DECORATIVE ITEMS

Fine-grained chamotte sculptures, due to their often more porous, often unglazed surface, are more sensitive to abrasion, dirt absorption, and improper wet cleaning; the most important prevention: dry cleaning.

Precious metal lusters (gold, platinum, palladium, etc.) have a thin overglaze coating, fired at a lower temperature, and are therefore more vulnerable to abrasives and friction; it is recommended to maintain such decors gently, by hand, without scrubbing.

MATERIAL PROPERTIES

Chamotte is a high-temperature fired and crushed clay material that is mixed into the mass. It reduces drying/firing shrinkage, helps dry more evenly, and can increase resistance to thermal stresses (especially in larger-shaped items), but can also leave the surface with a more porous and "receptive" texture (especially if unglazed).

This maintenance is intended for fine-grained chamotte sculptures, interior decor items (often more massive forms), which may be unglazed or partially/glazed.

CLEANING

Dry cleaning (basic method): remove dust with a soft brush and „drive“ it into a vacuum cleaner with minimal suction. Do not use rough cloths - this increases the risk of scratches and fading of the decor.

Wet cleaning only exceptionally: „washing“ or soaking is not recommended – especially if there is porosity, old repairs or unclear condition. If it is necessary (e.g. sticky dirt), consult a specialist first.

COMPARISON OF MATERIALS

MaterialDecorIs it dishwasher safe?Recommended cleaningRisks
Fine fraction chamotteThere is no luster.NoDry cleaning: soft brush, vacuum cleaner with minimum suction; wet cleaning – only exceptionallySurface stains from grease/touch; scratched
Fine fraction chamottePrecious metal luster (local)NoMinimal contact: dry, ultra-gentle wipingMeasuring polished areas; damage to decorative coating

Gilding/luster is a thin overglaze layer, easily damaged by abrasion and will wear away over time if not properly maintained.

LITERATURE

SIO-2. (n.d.). What is grog and what is it used for? https://www.sio-2.com/gb/blog/tips-information/what-is-grog-and-what-is-it-used-for

National Park Service. (2008). Museum handbook: Ceramics. https://www.nps.gov/subjects/museums/upload/08-01_508.pdf

Canadian Conservation Institute. (n.d.). Care of ceramics and glass. https://www.canada.ca/en/conservation-institute/services/conservation-preservation-publications/canadian-conservation-institute-notes/care-ceramics-glass.html

Lithuanian National Museum of Art. (nd). Pranas Gudynas Restoration Center – activities. https://www.lndm.lt/struktura/pgrc_veikla/

0