Sculpture „Altar” | No. 1

168.00

Stone mass, 24K gold luster

1 in stock

  • Each handmade piece has its own character
  • Therefore, no two pieces from the same collection are identical
  • May differ slightly from those shown in the photos
  • Natural and durable materials are used in production
  • Works are not reproduced.
  • Packed in gift-worthy packaging

Authorial works are not stories about specific events. They are rather an attempt to materialize the places where those events take place.

ABOUT THE WORK

Ceramic sculpture "Altar" is a small sculpture in which two stylized figures meet above a round, altar-like shape. The composition is focused on the center: the soft curves of the bodies harmonize with the stable shape of the altar and create the impression of a restrained connection. The main accent of the work is the gesture of mutual support.

History

The sculpture "Altar" tells the story of a relationship that is created not by words, but by being together. About a place where the most important thing is not an external gesture, but trust, closeness and mutual support. As a result, the work becomes a modern interpretation of the family hearth - purified, restrained and focusing on the very essence of connection.

Combination ideas

It is most subtly revealed in a restrained interior, next to natural wood, stone or matte metal. It is suitable for placing on a console, shelf or small pedestal, leaving space around the work. It fits best in a clean environment, where other objects do not obscure the composition.

Occasion

For a wedding ceremony | For a housewarming party | To commemorate a significant anniversary

Svoris (g)660 g
Dimensions30.5 cm
Meters pcs.:

unit

Ceramic material:

Plastic stoneware: firing temperature 1000-1280°C., Clear glaze: firing temperature 1100-1240°C, Gold (14K) | firing temperature: for ceramics and porcelain 780-800°C

Metal:

Painted metal stand – Black | Stained natural wood base

CARE OF CHAMOMILE SCULPTURES AND INTERIOR DECORATIVE ITEMS

Fine-grained chamotte sculptures, due to their often more porous, often unglazed surface, are more sensitive to abrasion, dirt absorption, and improper wet cleaning; the most important prevention: dry cleaning.

Precious metal lusters (gold, platinum, palladium, etc.) have a thin overglaze coating, fired at a lower temperature, and are therefore more vulnerable to abrasives and friction; it is recommended to maintain such decors gently, by hand, without scrubbing.

MATERIAL PROPERTIES

Chamotte is a high-temperature fired and crushed clay material that is mixed into the mass. It reduces drying/firing shrinkage, helps dry more evenly, and can increase resistance to thermal stresses (especially in larger-shaped items), but can also leave the surface with a more porous and "receptive" texture (especially if unglazed).

This maintenance is intended for fine-grained chamotte sculptures, interior decor items (often more massive forms), which may be unglazed or partially/glazed.

CLEANING

Dry cleaning (basic method): remove dust with a soft brush and „drive“ it into a vacuum cleaner with minimal suction. Do not use rough cloths - this increases the risk of scratches and fading of the decor.

Wet cleaning only exceptionally: „washing“ or soaking is not recommended – especially if there is porosity, old repairs or unclear condition. If it is necessary (e.g. sticky dirt), consult a specialist first.

COMPARISON OF MATERIALS

MaterialDecorIs it dishwasher safe?Recommended cleaningRisks
Fine fraction chamotteThere is no luster.NoDry cleaning: soft brush, vacuum cleaner with minimum suction; wet cleaning – only exceptionallySurface stains from grease/touch; scratched
Fine fraction chamottePrecious metal luster (local)NoMinimal contact: dry, ultra-gentle wipingMeasuring polished areas; damage to decorative coating

Gilding/luster is a thin overglaze layer, easily damaged by abrasion and will wear away over time if not properly maintained.

LITERATURE

SIO-2. (n.d.). What is grog and what is it used for? https://www.sio-2.com/gb/blog/tips-information/what-is-grog-and-what-is-it-used-for

National Park Service. (2008). Museum handbook: Ceramics. https://www.nps.gov/subjects/museums/upload/08-01_508.pdf

Canadian Conservation Institute. (n.d.). Care of ceramics and glass. https://www.canada.ca/en/conservation-institute/services/conservation-preservation-publications/canadian-conservation-institute-notes/care-ceramics-glass.html

Lithuanian National Museum of Art. (nd). Pranas Gudynas Restoration Center – activities. https://www.lndm.lt/struktura/pgrc_veikla/

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