Ceramic book holder

120.00

Handmade ceramic item. An ideal gift for book lovers.

The piece is made to order (about 14 days)

  • Each handmade piece has its own character
  • Therefore, no two pieces from the same collection are identical
  • May differ slightly from those shown in the photos
  • Natural and durable materials are used in production
  • Works are not reproduced.
  • Packed in gift-worthy packaging

Creativity begins with an inner feeling and transforms into a form that is easy to tame.

ABOUT THE WORK

Book Holder is a small functional sculpture that combines objective precision and symbolic form. Its composition resembles the silhouette of a house: two diagonal planes form the roof, and the clean space above it becomes a place for a book and a symbolic mise-en-scène. The clear geometry gives this piece a restrained, conceptualized posture.

History

The form of this work is based on one of the most recognizable archetypal signs – the outline of a house. However, here it functions not as a decorative motif, but as a structure: the book becomes a roof, the holder – a support, and the inner cavity – a repository for the artifact of thought. The composition is rational, symmetrical, stable. It is this statics that creates the impression of finality and allows the object to act as a work of small architecture.

Materiality here is inseparable from the idea. The visually solid surface absorbs the gaze, and the light edges of the book's pages stand out as a compositional counterpoint. The miniature figure incorporated in the center – a motif of a house, a city – reinforces the sense of scale: the book here becomes a building, and reading – an act of returning to it.

This is a work about the book as a refuge. Not about urgent consumption, but about stopping, returning, and continuing thought. The holder protects not only the place on the page. It protects the very state of reading – that interval of time between closing the book and opening it again.

Combination ideas

This piece is particularly well suited to a restrained interior, where form, surface and light fall are important. It is close to wood tones, black, graphite and light pastel-colored bedside table surfaces, natural stone, glass. Several carefully selected, favorite books can be arranged next to it, but it is quite independent and alone.

Occasion

Gift for a book enthusiast | A new reading experience | A thoughtful item for yourself

Ceramic material:

Plastic chamotte mass (0.2 mm): firing temperature 1000-1240°C, Gold (14K) | firing temperature: for ceramics and porcelain 780-800°C, Glass granules | Transparent

Meters pcs.:

unit

CARE OF CHAMOMILE SCULPTURES AND INTERIOR DECORATIVE ITEMS

Fine-grained chamotte sculptures, due to their often more porous, often unglazed surface, are more sensitive to abrasion, dirt absorption, and improper wet cleaning; the most important prevention: dry cleaning.

Precious metal lusters (gold, platinum, palladium, etc.) have a thin overglaze coating, fired at a lower temperature, and are therefore more vulnerable to abrasives and friction; it is recommended to maintain such decors gently, by hand, without scrubbing.

MATERIAL PROPERTIES

Chamotte is a high-temperature fired and crushed clay material that is mixed into the mass. It reduces drying/firing shrinkage, helps dry more evenly, and can increase resistance to thermal stresses (especially in larger-shaped items), but can also leave the surface with a more porous and "receptive" texture (especially if unglazed).

This maintenance is intended for fine-grained chamotte sculptures, interior decor items (often more massive forms), which may be unglazed or partially/glazed.

CLEANING

Dry cleaning (basic method): remove dust with a soft brush and „drive“ it into a vacuum cleaner with minimal suction. Do not use rough cloths - this increases the risk of scratches and fading of the decor.

Wet cleaning only exceptionally: „washing“ or soaking is not recommended – especially if there is porosity, old repairs or unclear condition. If it is necessary (e.g. sticky dirt), consult a specialist first.

COMPARISON OF MATERIALS

MaterialDecorIs it dishwasher safe?Recommended cleaningRisks
Fine fraction chamotteThere is no luster.NoDry cleaning: soft brush, vacuum cleaner with minimum suction; wet cleaning – only exceptionallySurface stains from grease/touch; scratched
Fine fraction chamottePrecious metal luster (local)NoMinimal contact: dry, ultra-gentle wipingMeasuring polished areas; damage to decorative coating

Gilding/luster is a thin overglaze layer, easily damaged by abrasion and will wear away over time if not properly maintained.

LITERATURE

SIO-2. (n.d.). What is grog and what is it used for? https://www.sio-2.com/gb/blog/tips-information/what-is-grog-and-what-is-it-used-for

National Park Service. (2008). Museum handbook: Ceramics. https://www.nps.gov/subjects/museums/upload/08-01_508.pdf

Canadian Conservation Institute. (n.d.). Care of ceramics and glass. https://www.canada.ca/en/conservation-institute/services/conservation-preservation-publications/canadian-conservation-institute-notes/care-ceramics-glass.html

Lithuanian National Museum of Art. (nd). Pranas Gudynas Restoration Center – activities. https://www.lndm.lt/struktura/pgrc_veikla/

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