Sculpture "Recognizable"

300.00

Chamotte, wood, glass

1 in stock

  • Each handmade piece has its own character
  • Therefore, no two pieces from the same collection are identical
  • May differ slightly from those shown in the photos
  • Natural and durable materials are used in production
  • Works are not reproduced.
  • Packed in gift-worthy packaging

About the work

„"Recognizable" is a small sculpture that explores the boundary of recognition: a person is recognized not only by appearance, but also by posture and internal structure. The mask motif here is not a sign of concealment. It becomes a symbolic form through which identity takes on another level of recognizability.

History

Although recognition is most often associated with the face, the face is not a fixed part of identity. It changes, represents, and bears witness to a state. This sculpture shifts the emphasis of recognition elsewhere – to the inner posture, the concentration of the body, the presence that persists even when the external form changes.

There is no character or role at the center of the work. A state is at work here. It is related to a person's ability to remain themselves when the usual signs of recognition become insufficient. The animal form does not distance a person from their essence, but rather expands the perception of them. It reminds us that human identity is not only rationally perceived or socially defined. It retains vigilance, instinct, protection, and inner caution. This is not an opposition to humanity, but one of its forms of existence.

This is a work about the resilience of identity. About the inner axis that persists even when the image is not the main evidence of recognition.

Combination ideas

The work is intended for a space where the art object can act as a point of reflection. The sculpture fits in a space where the meaning of the objects is important, not decorativeness: in a personal library or study.

Occasion

For personal art collection | Gift for a friend | A gift for someone who appreciates symbolic art

Dimensions27 cm
Ceramic material:

Plastic chamotte mass (0.2 mm): firing temperature 1000-1240°C, Glass granules | Transparent, Gilding wax | Patina

Meters pcs.:

unit

Additional materials:

Tree | Spruce

CARE OF CHAMOMILE SCULPTURES AND INTERIOR DECORATIVE ITEMS

Fine-grained chamotte sculptures, due to their often more porous, often unglazed surface, are more sensitive to abrasion, dirt absorption, and improper wet cleaning; the most important prevention: dry cleaning.

Precious metal lusters (gold, platinum, palladium, etc.) have a thin overglaze coating, fired at a lower temperature, and are therefore more vulnerable to abrasives and friction; it is recommended to maintain such decors gently, by hand, without scrubbing.

MATERIAL PROPERTIES

Chamotte is a high-temperature fired and crushed clay material that is mixed into the mass. It reduces drying/firing shrinkage, helps dry more evenly, and can increase resistance to thermal stresses (especially in larger-shaped items), but can also leave the surface with a more porous and "receptive" texture (especially if unglazed).

This maintenance is intended for fine-grained chamotte sculptures, interior decor items (often more massive forms), which may be unglazed or partially/glazed.

CLEANING

Dry cleaning (basic method): remove dust with a soft brush and „drive“ it into a vacuum cleaner with minimal suction. Do not use rough cloths - this increases the risk of scratches and fading of the decor.

Wet cleaning only exceptionally: „washing“ or soaking is not recommended – especially if there is porosity, old repairs or unclear condition. If it is necessary (e.g. sticky dirt), consult a specialist first.

COMPARISON OF MATERIALS

MaterialDecorIs it dishwasher safe?Recommended cleaningRisks
Fine fraction chamotteThere is no luster.NoDry cleaning: soft brush, vacuum cleaner with minimum suction; wet cleaning – only exceptionallySurface stains from grease/touch; scratched
Fine fraction chamottePrecious metal luster (local)NoMinimal contact: dry, ultra-gentle wipingMeasuring polished areas; damage to decorative coating

Gilding/luster is a thin overglaze layer, easily damaged by abrasion and will wear away over time if not properly maintained.

LITERATURE

SIO-2. (n.d.). What is grog and what is it used for? https://www.sio-2.com/gb/blog/tips-information/what-is-grog-and-what-is-it-used-for

National Park Service. (2008). Museum handbook: Ceramics. https://www.nps.gov/subjects/museums/upload/08-01_508.pdf

Canadian Conservation Institute. (n.d.). Care of ceramics and glass. https://www.canada.ca/en/conservation-institute/services/conservation-preservation-publications/canadian-conservation-institute-notes/care-ceramics-glass.html

Lithuanian National Museum of Art. (nd). Pranas Gudynas Restoration Center – activities. https://www.lndm.lt/struktura/pgrc_veikla/

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